The Sense of Suffering by Jan Frans van Dijkhuizen

“ Portuguese Humanism and the Republic of Letters” (ed.Nuremberg: Verlag des Germanischen Nationalmuseums, 2013, pp. Proceedings of the 33rd Congress of the International Committee of the History of Art (Nuremberg, 2013). In: The Challenge of the object/ Die Herausforderung des Objekts.

Borrowings from the Vatican »Laocoon« during the Early Modern Period”. Jahrbuch fur Geschichte Lateinamerikas (1998) / Anuario de Historia de América Latina, v.

“ Reflections on Portuguese Cosmopolitanism during the Manueline Period and its Aftermath in Luso-Brazilian Art and Historiography”.Discourses of anger in the early Modern Period. ' Visual Representations of Medea's Anger in the Early Modern Period: Rembrandt and Rubens'.“Between Heroism and Martyrdom: Considerations regarding the representation of the Latin American hero in the 19th century”.The Political Use of images in Portugal and its Overseas Empire. In: Urte Krass (ed.), Visualizing Portuguese Power. “ Imperial Propaganda and the Representation of Otherness in Portugal and Its Colonies in the Early Modern Times”.Her research and joint academic projects have been supported by the Getty Foundation, Villa I Tatti, DAAD, and the Brazilian funding agencies Fapesp, Faperj CNPq and Capes. She specialises in Italian and Iberian art produced between the 15th and 17th centuries, as well as in cultural history, early modern globalism and intellectual interchange in the Atlantic world. Maria Berbara (PhD, University of Hamburg) teaches art history at the State University of Rio de Janeiro.

The Sense of Suffering by Jan Frans van Dijkhuizen